Not the sort of chirping soubrette often heard in the rôle, Martinson Davis was a gratifyingly full-voiced Gretel who encountered no problems with the girl’s top notes and trills. Martinson Davis’s Gretel joyously greeted the morning after a harrowing night in the forest with a sensational top D. Many of the world’s opera companies regularly stage Hänsel und Gretel, but few of them offer their audiences Hänsels and Gretels as captivating as Greensboro’s. (Voix des Arts)
Appearing with such opera companies as Greensboro Opera, Western Plains Opera, Louisiana Opera, Emerald City Opera, and Opéra Louisiane, Joann’s opera roles include Norina, Yum-Yum, Violetta, Adele, Le Feu (L'enfant et les Sortilèges), Monica, Lola, Mabel, The Fairy Godmother (Cendrillon), Frasquita and Gretel. On the concert stage, Joann has performed as a soloist in Mahler's Symphony No. 4, Mendelssohn’s Elijah, Händel’s Messiah, Mozart’s Requiem, Vivaldi Gloria, Saint-Säens Christmas Oratorio, Rutter's Requiem, Bach's St. John Passion, Mozart’s Coronation Mass, and Dan Forrest’s Requiem for the Living. Such concerts have been with the Minot Symphony, Vermont Philharmonic, Coeur d'Alene, Symphony in the Valley, UNCG Symphony, Bayou Masterworks Chorale, and Lynchburg Chamber Orchestras.
Mrs. Martinson Davis’ awards include “Audience Favorite” and the Puccini Award in the Orpheus Competition, the Orchestral Performance Award with the Bel Canto Institute, along with awards from the Coeur d'Alene Young Artist, Symphony in the Valley, Long Leaf Opera, The American Prize, and Heafner/Williams Competitions and a finalist in the Harold Haugh Light Opera Competition.
She received her B.A. in Music Performance from Minot (ND) State University and her Master's in Music from the University of North Carolina Greensboro. She is an annual performer in the New Music On the Bayou Festival in Louisiana and a member of the Delamond Trio. Joann currently lives in Ruston, LA with her husband, Trevor.